ArchivesSpace at the University of Iowa

The analysis of the poem is based upon the version printed in Solt's "Concrete Poetry: A World View," rather than its initial publication in Noigandres 5. -- Source of annotation: Marvin or Ruth Sackner.

Lectures by Claus Cluver and Roland Greene were presented in conjunction with the exhibition. The header on theis poster reads "Advertising = Poetry." The Sackner Archive lent most of the works to this exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Announces the lectures presented by Claus Cluver and Roland Greene in conjunction with the exhibition. -- Source of annotation: Marvin or Ruth Sackner.

Cluver analyzes Willy Correa de Oliveira's music score for Augusto DeCampos' poem "Memos." -- Source of annotation: Marvin or Ruth Sackner.

Claus Cluver provides an introduction that describes the international Concrete Poetry movement. The program for exhibition, film, graphic art and musical performances is presented. -- Source of annotation: Marvin or Ruth Sackner.

Cluver brings out the connections of August DeCampos' colored textural, concrete poems to the colored musical compositions of Anton von Webern. -- Source of annotation: Marvin or Ruth Sackner.

This book is number 5 in Word & Image Interactions. REgine Rapp contributes a chapter "Tango with Cows: Russian Futurist Book Art" in which she analyzes the book work of poet and artist Vasily Kamensky, a member of the group called Hylaea. Claus Cluver's essay "Mini-Icons: Letterforms, Logos , Logopoems" refers to the work of the Brazilian poets. Alan Prohm contributes an essay "Resources for a Poetics of Visual Poetry." -- Source of annotation: Marvin or Ruth Sackner.